Get all 6 Delphine Dora and Sophie Cooper releases available on Bandcamp and save 10%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Greywood Miniatures, part 2, Greywood Miniatures, Divine Ekstasys, Live at Gulp'd in Cork, Ireland, Think Away, and Distance Future.
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Improvisation #1
04:32
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Improvisation #2
05:15
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Improvisation #3
02:00
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4. |
Improvisation #4
01:52
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5. |
Improvisation #5
03:16
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6. |
Improvisation #6
02:24
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7. |
Improvisation #7
02:48
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8. |
Improvisation #8
01:50
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9. |
Improvisation #9
02:42
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10. |
Improvisation #10
03:26
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11. |
Improvisation #11
02:16
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12. |
Improvisation #12
02:14
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Improvisation #13
03:00
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Delphine Dora and Sophie Cooper
Dora and Cooper are involved in an ongoing improvisation project exploring sonic relationships between their primary instruments of trombone, piano, voice and electronics. Both share an interest in exploring the unknown.
Delphine Dora and Sophie Cooper recommends:
The Slowest Lift
by The Slowest Lift
Sophie Cooper and Julian Bradley's Distance Duo - The Slowest Lift
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Multitudes : Songs of Walt Whitman's Leaves of Grass
by Delphine Dora
Delphine Dora's latest release from 2017. Check the rest of her bandcamp for other releases.
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Landscape At Large
by Sophie Cooper
Sophie Cooper's song album, originally a split with Ignatz
go to albumIf you like Delphine Dora and Sophie Cooper, you may also like:
Everywhere at the end of time
by The Caretaker
supported by 6 fans who also own “Greywood Miniatures, part 2”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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supported by 5 fans who also own “Greywood Miniatures, part 2”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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The artist reveals a new dimension of orchestral rhythm and counterpoint in her compositions.
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